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The story is told from the point of view of the characters, and Hurston writes the dialogue in their broken English dialect. Although the language is somewhat difficult to understand initially, it adds to the mystique of the story. The language used by the characters helps to establish the setting of the story and gives the reader an understanding of why voodoo is a plausible explanation for the outcome. This is the first indication that the characters in this short story are not the most educated, and are probably from some small backwoods town.
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Neale Hurston knew how to make an entrance. On May 1, , at a literary awards dinner sponsored by Opportunity magazine, the earthy Harlem newcomer turned heads and raised eyebrows as she claimed four awards: a second-place fiction prize for her short story "Spunk," a second-place award in drama for her play Color Struck, and two honorable mentions. The names of the writers who beat out Hurston for first place that night would soon be forgotten. But the name of the second-place winner buzzed on. Hurston was often criticized for her substantial use of southern country dialect and folk dialogue; she was a master at creating realistic African-American works of fiction.
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Zora Neale Hurston A play she submitted, Color Struck, took second prize for drama. The anthology became one of a handful of important and widely read collections of the Harlem Renaissance , demonstrating the best of the new writing coming out of black America.
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Johnson, the editor of the National Urban League's influential magazine, Opportunity: A Journal of Negro Life , because Johnson had published her second story, "Drenched in Light," and recognized her talent. At Johnson's urging, Hurston entered "Spunk" in Opportunity' s literary contest and took second prize for fiction. A play she submitted, Color Struck , took second prize for drama. The story was published in the June issue of the magazine, and Hurston's career was launched.
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